PLANET X FX | creative visual effects

Projects

    • Oom Henk  2012
      Telefilm
    • Mister Braker  2012
      [In production] Short film
    • Feature film
    • Feature film
    • Feature film
    • Pizza Maffia  2011
      Feature film
    • Anatole  2011
      Short film
    • Short film
    • Dusk  2010
      Feature film
    • Feature film
    • Feature film
    • Storm Bound  2007
      Feature film
    • Animated short
    • Drama series, 7 episodes
    • Family series, 13 episodes
    • Betrayal  2011
      Psychological thriller, 12 episodes
    • NOFF 2010  2010
      Viral Nederlands Online Film Festival
    • Toren C  2008
      Comedy series
    • Political thriller, 3 episodes
    • Flikken Maastricht  2007
      Television series (first season)
    • Kwik-Fit  2006
      Internet commercial
    • Shouf, Shouf!  2006
      Television series, 3 episodes
    • Music video
    • Music video
    • Projections on backscreen
    • Projections on backscreen
    • Unheard Film  2001
      Trailer filmfestival
    • Africa in the Picture  
      Trailer filmfestival
    • Cinestud  
      Trailer filmfestival

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Nederlands | English

Feature films

Olaf, happy little cannon

2010  Happy Ship, director Naam (Bastiaan Hooimeijer)

'Olaf, happy little canon' (‘Olaf, vrolijk klein kanonnetje’) is a fairytale about a cannon that is confronted with itself in a fragile world. Olaf thoroughly enjoys his safe life in a fragile village, until on his fourteenth birthday he is confronted with the destructive side of his life as a cannon. Because he thinks he is insufferable, he sets out into the world to seek an elegant solution for this devastating problem.

‘Olaf, happy little canon’ is making the rounds in the festival circuit. The film was produced entirely in-house, under the flag of Happy Ship.

Trailer from 'Olaf, happy little canon'

The film, which lasts eleven minutes, is a computer-animated black-and-white narrative in a singular and innovative style, as for the audio-visuals and the manner in which it is narrated. Many of the digital techniques are specifically intended to give a hand-made feel, with purposeful errors and extremely analogue sounds juxtaposed with the digital plastic and hard contrast of the computer.