PLANET X FX | creative visual effects

Projects

    • The Price of Sugar  2013
      [In production] Feature film
    • Borgman  2013
      Feature film
    • Matterhorn  2013
      Telefilm
    • Exit  2013
      Telefilm
    • Feature film
    • Oom Henk  2012
      Telefilm
    • Feature film
    • Feature film
    • Feature film
    • Pizza Maffia  2011
      Feature film
    • Dusk  2010
      Feature film
    • Feature film
    • Feature film
    • Storm Bound  2007
      Feature film
    • Animated short
    • A'DAM - E.V.A. 2  
      [In production] Drama series, 8 episodes
    • Betrayal 2  
      [In production] Psychological thriller, 10 episodes
    • Anouar's Moon  2012
      Short film
    • Drama series, 7 episodes
    • Family series, 13 episodes
    • Betrayal  2011
      Psychological thriller, 12 episodes
    • NOFF 2010  2010
      Viral Nederlands Online Film Festival
    • Toren C  2008
      Comedy series
    • Kwik-Fit  2006
      Internet commercial
    • Music video
    • Music video
    • The Perfect Prey  2013
      [In production] Leader
    • The Dinner  2013
      [In production] Title design
    • Bowy is Inside  2012
      Title design
    • Graphics
    • Projections on backscreen
    • Unheard Film  2001
      Trailer filmfestival
    • In depth article on on-set graphics

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    Feature films

    Dolfje Weerwolfje

    2011  BosBros, director Joram Lürsen

    During the editing of ‘Dolfje Weerwolfje’ the main character Dolf was found to need more facial expression in the scenes in which he was a werewolf. Certain subtleties in his expression were insufficiently visible. That is why Planet X FX, together with director Joram Lürsen and editor Peter Alderliesten, chose more than 130 shots in which they enhanced the emotions on Dolf’s face, so that specific moments in the film would be more meaningful.

    Visual effects breakdown

    In all shots, Dolf’s head was first stabilized. Then a grid which allows for the distortion of the underlying shot was placed over the inanimate face. Because this distortion can be animated, it was possible to move from one expression to the next at specific moments and within a certain period. The eyes, eyebrows, forehead, nose, ears and cheeks were given greater movement. Subtleties such as sighing, sniffing and pricking the ears were made possible and were applied in different degrees. In places where Dolf’s mouth had to be significantly adjusted, teeth were placed in the mouth. Here and there the synchronisation of the spoken text and the lip movements were improved.

    The trailer from 'Dolfje Weerwolfje'

    On the night of his seventh birthday, the mild-mannered Dolf turns into a white, fuzzy werewolf. "What is going on?" he wonders. Dolf is confused and feels conflicted: he tries to cope with his new powers. They make him completely different at night, when he turns into a werewolf and loses his inhibitions, than during the day, when he is a shy schoolboy. Will he be able to accept his new identity?